The
Red Show
At the dA Center, Thru February 28
By: Stacy Davies |
 |
The dA curator, Rolo Castillo, is a real anarchist. He doesn’t
give a hoot about writing long, curatorial dissertations on
why he’s put together a project, and really, I give him
props for it. It does lend itself to a hodgepodge, anything-goes-mentality,
but sometimes that can be refreshing, and Castillo certainly
has a keen eye for art that works.
This weekend, on lovey-dovey V-Day, he’s put together
everything red. Doesn’t have to mean Valentines, of course,
there are other forms of red—some people might be engaged
in bloody couple squabbling and single types may be tossing
back too much pinot in hopes of snagging a midnight shag. Whatever
your motive and agenda, The Red Show will certainly give you
something to think about—and might even be a hotspot for
acquiring a spindly or Rubenesque pickup.
Castillo’s piece, as usual, is a riot. In the large-scale
Church Fight two multi-colored birds wearing rubber rooster
caps square off in front of a house of worship. Each bird has
a word bubble that reads “tomato.” One of the fowls
is most likely pronouncing it toe-mah-toe, you see. And they’re
fighting—two cocks in front of a church, about something
petty. Love it.
Other works of note include Mark Lindley’s Deja Rouge—a
canvas of layer upon layer of chunky red tones—and Eric
Ward’s molten lava-y Rupture, a fiery piece of Plexiglas
with protruding piles of pseudo-magma. Thomas Stubbi’s
culty bizarre Dogma Eat Dogma in which a group of hooded pagans
worship a red Fu Dog and giant banana split will no doubt keep
your internal conversation pleasantly befuddled. CM Venice McCurdy’s
vintage red book impaled with nails that spell out “read”
and A.S. Ashley’s clever, goopy-red mouse trap Missed
You Again are small treasures that are just too clever. Perhaps
most intriguing pieces, however, are Richard May’s dual
men’s room doors covered with repetitive stenciled text:
“be a man”; each door is also painted up with a
figure of Iron Man and Superman, as well as collaged clippings
of a lynching, a black boy in tears, the Lone Ranger, Tarzan,
and signs that read “thou shalt not cry” and “thou
shalt not display weakness.” Harsh, jacked up, and fantastic—just
what you need on such a sentimental day.
(Stacy Davies)
The Red Show at the dA Center for the Arts, 252 S. Main St.,
Pomona Arts Colony, Pomona, (909) 397-9716; www.dacenter.org.
Thru Feb 28. Free